Yorkshire and North East Branch
Tel: 01937 583723
A VERY WARM WELCOME TO ALL!
We meet on designated Saturdays from 2:00 – 4:00 pm
Our next meeting is on Saturday 25th May 2019 (see below)
The Bedingfield Room
The Bar Convent
17-19 Blossom Street
The Bar Convent
Admission is free; a charge of £3 is made for (optional) refreshments.
To find the Bar Convent: The historically significant and architecturally notable Bar Convent is a five-minute walk from York Railway Station; at the station exit turn right onto Queen Street, follow the road round to the traffic lights, cross the road, turn right and the Bar Convent is immediately on your left. Park and ride buses from Askham Bar (White Line, No 3 service) stop outside the Everyman cinema; this is across the road from our venue. There is a pay-and-display car park close to the Bar Convent on Nunnery Lane – SATNAV YO23 1AA.
PROGRAMME OF MEETINGS FOR 2019
25 May Jonathan Clinch Elgar and Herbert Howells
Edward Elgar was one of the greatest influences on the young Herbert Howells and played an important practical role in his early career. Howells in turn dedicated the middle movement of his Concerto for String Orchestra of 1938 jointly to the memory of Elgar and Howells’ son Michael. Jonathan will offer new insights into the nature of their relationship. Dr Jonathan Clinch is an organist, musicologist and Lecturer in Academic Studies at The Royal College of Music.
15 June John Knowles Elgar, Liverpool and Malcolm Sargent
Please note that this talk is replacing the previously arranged talk by Stuart Freed on ‘The Lighter Side of Elgar’
John will investigate the early links between Liverpool and Elgar and between Sargent and Elgar, as an introduction to Sargent’s Elgar performances with Liverpool Philharmonic Orchestra. John is presently the Chairman of the North West Branch of the Elgar Society and we look forward to welcoming him as he travels across to the other side of the Pennines!
28 SEPTEMBER Daniel Grimley Unfolding Elgar’s Sanguine Fan
Elgar’s 1917 ballet The Sanguine Fan, is one of his most delightful but neglected scores. In this talk, Daniel will argue that the Sanguine Fan in fact constituted a means of mediating the processes of mourning, memorialisation and loss that lay at the heart of Elgar’s creative project during wartime. Daniel is a Professor of Music at the University of Oxford, and Douglas Algar Tutorial fellow at Merton College
26 OCTOBER Jonathan Wainwright Gerontius with MS notes on Elgar
A first-edition vocal score of The Dream of Gerontius (Novello, 1900) which once belonged to Elgar’s early biographer Robert J. Buckley, contains numerous, previously unnoticed, annotations in the hand of Edward Elgar himself. Jonathan will examine the significance of some of Elgar’s notes and annotations.
Jo Wainwright is Professor of Music at the University of York. He is a musicologist, conductor and performer.
23 NOVEMBER Andrew Neill Elgar’s Celtic Heroes
Andrew has been writing up CD notes on Grania and Diarmid as well as a forthcoming recording of Caractacus, and offers to share with us some of the highlights of his researches.
Andrew is a Vice-President of the Elgar Society, a member of its London Branch and a past Chairman of the Society ( 1992-2008) and has contributed to four books on Elgar’ life and music.
On November 24th 2018 Dr Donald Hunt was to address the Yorkshire and North East branch meeting. Sadly that was not to be but he had given Caroline Gilderdale a copy of the script which he had prepared; it was read for us by Dr Simon Lindley. Caroline Gilderdale is seen here (left) conducting an ensemble comprising singers from the Yorkshire Bach Choir and York Cantores, performing a selection of Elgar’s church music, edited by Donald Hunt. Simon Lindley (right) accompanies.
Elgar had great respect and admiration for Hubert Parry – and publicly acknowledged the debt that he, in particular, and English music in general, owed to Parry. The violinist Rupert Marshall-Luck has recently recorded a triple-disc set of Parry’s complete music for violin and piano, and is also currently editing all Elgar’s violin music. From this perspective, on Saturday March 23rd, he gave a talk to the Yorkshire and North East branch which described and demonstrated the two composers’ writing for violin; also revealing what their musical notations for the instrument can tell us of contemporary playing styles and characteristics.
Our meeting on Saturday May 4th featured live music performed by the Fairfax Ensemble.
Photo collage by Caroline Gilderdale.
Forthcoming Performances of Works by Elgar in Yorkshire and the North East
Saturday 1st June 2019, Leeds Town Hall: The Dream of Gerontius.
Sarah Connolly, Barry Banks, David Soar. Leeds Festival chorus and Leeds Philharmonic chorus, Hallé, cond. Simon Wright.
pre concert talk Dan Holden